Redman – “The Red Guy” #4

Tokusatsu Hihō vol. 4 released in 2016

This issue of Tokusatsu Hihō had an article about the Redman costume reproduced in 1996 when the laser disc box set of Redman was released.

The article says Yutaka Narita who was with Kaimai Production then sculpted the new Redman costume while he seems to have made the masks of the recent Ultamans since Ultraman Tiga.

Narita (it is unlikely that he is a relative of Tohl Narita) says in the article he sculpted the mask based on photos of the original Redman Tsuburaya Productions provided him with as the original costume didn’t remain in existence.

In the frontispiece, still photos of the show Redman of the time along with photos of the mask that seems to be the original one and Ōoka holding the mask (what a big mask!)

According to Narita, the eyes of the new Redman suit were duplicated from those of Ultaman Great.

Confusingly enough, this issue of Tokusatsu Hihō also had some photos of the Redman mask in the frontispiece described as the one used when the show was filmed with the caption “Ōoka with a smile happy about the reunion with the mask used back then.”

Besides this, a caption says Toshio Kaimai, the current president of Kaimai Production, stated that he feels like they tried to find out the original mold of the Redman mask in their storage when the new costume was to be sculpted as it is likely that the original suit was made by Kaimai Production.

The original Redman costume viewed from various angles and the design drawing while who designed Redman is left undescribed

Then it should mean that the original mask photographed with Ōoka in it was found out quite recently at least after the new suit was reproduced???

The one held by Ōoka properly has the glitter eyes just like the costume used in the show while the new one made by Yutaka Narita had the eyes just simply painted yellow with gloss. Therefore the mask Ōoka holds should be the original one used in the show while it is so confusing.

Redman was acted by Kinichi Kusumi (1950-present) who also played Mirrorman, and this issue of Tokusatsu Hihō also covers an interview with him I would like to talk about if I have an opportunity some other time.

The Redman mask and its clay model sculpted by Yutaka Narita (then with Kaimai Production) in 1996

Redman – “The Red Guy” #3

“Red Fight!”

“Redman” was featured in the “Tokusatsu Hihō (secret treasure) magazine vol. 4 released last year in 2016 while the articles included an interview with Shinichi Ōoka (1947-present) who debuted as a cameraman with “Redman.”

Although I described him as the current president of Tsuburaya Productions in the previous entry, he now seems to be an adviser to the company after his retirement this year in 2017.

In the interview, Ōoka admits he is sort of amazed at the sudden rise in popularity of Redman so that it makes him wonder what is attracting those people to this show.

According to him, the filming of Redman was carried out in an unrehearsed way while they roughly arranged a filming plan each time without any scripts and, in the early stage, even without storyboards (he says they just had a written plan for each episode).

Redman fighting with Alien Icarus painted green just like Icarus who appeared in “Ultra Fight” in a bamboo bush although they are set to be 40 meters tall

Ōoka also says they started filming from around 8:00 in the morning until sunset with the kaiju costumes brought to the location being simply tied up on top of a microbus even without any cover.

They filmed the show in places accessible within 30 minutes by car from Tsuburaya Productions such as Ikuta in Kawasaki, Kanagawa Prefecture, where private houses could have been caught on film if it is shot from the opposite side.

kaijus were such a trend in those days as it was called “the second Kaiju Boom” allegedly triggered by tokusatsu shows including “Spectreman” produced by P Production and “Return of Ultraman” following the first Kiju Boom the original Ultra Series (Ultra Q, Ultraman and Ultraseven possibly including Captain Ultra aired between Ultraman and Ultraseven ) brought about.

Therefore Ōoka and the other staff members seem to have had hard times to secure stage show kaiju costumes for “Redman.”

Redman – “The Red Guy” #2

“Red Fight!”

Just like “Ultra Fight,” with shabby- and cheap-looking stage show costumes used as well along with the suits actually used in “Return of Ultraman” and “Mirrorman,” the fights featured in “Redman” also unfolded in the empty fields.

It is hilarious to find the characters who appeared in the show were set to be around 45 meters tall although they were human-sized whichever way you look at it.

Sound effects to express heavy impacts when punches and kicks hit or they fall down on the ground were used while the exaggerated sounds made scenes having apparently human-sized characters appear look even more unnatural.


The fight scenes without any other sounds than the funnily heavy sound effects looked very much surreal with a strange presence and atmosphere.

Each episode started with a scene where Redman came across a kaiju/kaijus in the plain field and started fighting with his yell “Red Fight!” and particular posing.

He went so far as to force a kaiju into a fight with his “Red Fight!” call uttered in an assertive way while the kaiju looks so reluctant to fight even tying to escape from the hero before fighting,

While it seems that Redman is set to be from Planet Red located in Nebula Red although it sounds too easy, the low budget show didn’t allow the hero to use beam attacks that would necessitate the use of optical compositing (tokusatsu scenes have to be filmed with 35 mm films for optical compositing, but 16 mm films were used for “Redman”).


So the fights with kaijus were fought exclusively with the exchange of punches, kicks, grappling and throwing except that a beam attack from Redman was realized in Episode 137 with the use of superimposing technique the cameraman who filmed this series Shinichi Ōoka, the current president of Tsuburaya Productions, came up with.

Although depictions that could be seen as violent and cruel were often found in the series having a kaiju/kaijus pierced with the spear-like weapon Redman calls “Red Arrow” (the prop was the same as Ultra Cross used by Returned Ultraman) and so on, the kaijus who should have been destroyed reappear over and over in different episodes as if nothing had happened to them last time.

Redman – “The Red Guy” #1


Having previously talked a bit about “Ultra Fight” that is, though in a funny way, a legendary show in various aspects, I would like to deal with “Redman” as it could be seen as a show produced in the same line as “Ultra Fight.”

The name “Redman” was used as the provisional title and heroes’ name in the planning stages of “Ultraman” and “Ultraseven” respectively so as not to have the real names stolen before they had been commercially registered.

And here is the hero who was actually named Redman while he is sung in the theme song as “the red guy (akai aitsu).”


With the style of the show resembling that of the newly filmed episodes of “Ultra Fight,” fights between Redman and kaijus are fought in every episode of the show as it aired from April to October in 1972 with 138 episodes in total (basically with each complete episode although the episodes from #94 through #99 seem to have been about a serial story).

It was a 5-minute segment aired from 7:30 am to 7:35 am from Monday through Saturday in the show titled “Good Morning, Kids Show (Ohayō Kodomo Shō)” while it is said that the hour-long kids’ show aired from 7:00 am daily including Saturday and Sunday started featuring the kaiju show segment when the Ohayō Kodomo Shō was renewed to avoid getting into a rut.


With the appearances of “used” kaiju costumes mostly from “Return of Ultraman,” “Redman” aired in the format of having “Kaiju Ojisan” (middle-aged man) comically played by the actor named Tetsuya Asado (1935-present) appear at the beginning and end of the segment every time to make comments on featured kaijus for the day spurring the excitement of kids viewers.

“Redman” differed from “Ultra Fight” in that the former had no commentary in it on what was going on in the segment unlike the latter that always had one as if it were a live coverage of the fight fought in the show.


Alien Cannan design drawn by Tohl Narita

Tohl Narita: “This is an alien design as a variation descended from Alien Pitt and Alien Shaplay.”

It was a bit shame that Alien Cannan only appeared rather fleetingly and that they only wore clothes for the body part instead of full-costumes without showing their whole bodies just staying in their spacecraft disguised as a light house.

But I think the design and sculpture of Alien Cannan’s head were fabulous with its form that makes me feel like it is an abstract sculpture work that has no unneeded features while the three heads of the alien were sculpted by Ryosaku Takayama.

Alien Cannan heads sculpted by Ryosaku Takayama at his Atelier May

Just like Alien Shaplay, it came in the form of having the lower part of their heads with an organic feel shown beneath the mechanical top part while I think the expression and sculpture applied to the eyes are just excellent.

While it may remind us of Kamen Rider from today’s standpoint, Alien Cannan designed by Narita came far ahead of Kamen Rider as the show “Kamen Rider” started airing in 1971.

Even though it had been said that these aliens were played by actresses as they were voiced as such, Tetsuo Yamamura assumes they were acted by male actors.

Alien Cannan heads and Ryosaku Takayama with a big smile (I love this picture!)

There is an explanation that, given the ends of the heads that should be tucked into their clothes are found to have been laid over them, the heads were made according to the measurements taken from actresses so that the ends turned out to be exposed over the clothes as the small-sized heads were just barely worn by male actors possibly because the actresses to wear the costumes became unavailable or something.

Featuring Windom with its electronic brain disordered by a beam attack fired from the aliens’ spacecraft instead of a newly designed and sculpted space monster to be manipulated by the aliens should indicate the difficulties the staff suffered back then in terms of cost and time although, nevertheless, the story that unfolded centering on Furuhashi (and his mother) might have successfully made the episode attractive enough.