As far as the outline of the story I described in my previous post, I think it sounds quite interesting. And I dimly remember the scene where the armed police squad fired at Bander in the field although I remember nothing else of the series.
While I should have watched it in 1969 when I entered elementary school, the memory is quite ambiguous probably because there should not have been any occasions when the show was rerun.
The greatest feature of Majin Bander as a character was that it had two heads to be replaced by one another according to his emotion. The face usually looks mild (or plain) as the guardian for the Paron but, when he gets mad, the mild-looking head goes down into the body and the other head with the angry-looking expression on it comes up from within the body instead.
This concept of a guardian changing into a majin is just like, in the Daiei “Daimajin” movie series, the haniwa-clay-figure-like statue with its gentle-looking face turning into angry-looking Daimajin when getting rid of villains.
About the two heads, it was properly sung in the theme song like “His face changes scary when he gets angry.” The phrases “Tonde Koi Bandā/Tonde Koi Bandā/Heiwa No Tsukai/Uchu No Hate Kara Yattekoi (come flying, Bander/come flying, Bander/Emissary of Peace/come from the farthest reaches of space)…” sung in the song still stays with me in my head.
It is known that the character Bander was played by Eiichi Kikuchi who acted Returned Ultraman in the 1970 tokusatsu show “The Return of Ultraman.” Kikushi says in an interview covered in a book that it was a costume that left him almost unmovable with inflexibility except the movement with which he just moved forward and backward.
When I talked about Bander to one of my colleagues at work a long time ago, he was astounded saying, “How come you can remember such stuff?”
Oh, well, that is the way a tokusatsu fan goes…