While Akio Jissoji (1937-2006) was born in Yotsuya, Tokyo, in 1937, he was brought up in Qingdao, China, until he came back to Japan with his family at the end of the war when they were in Manchuria.
Because of this, it seems that Shozo Uehara, one of the script writers for the Ultra Series who was from Okinawa along with Tetsuo Kinjo, referred to Jissoji as a man with a “continental perspective” in contrast with the perceptions that could be raised while being born and living in the island nation Japan including Okinawa.
It is said that, as Jissoji loved Europe, it was also because of his longing for “continental” European landscapes that have remained unchanged over hundreds of years.
I personally think having a “continental perspective” should cause a lot of difficulties in living in Japan, as I feel like it doesn’t match this island country. So Jissoji could have been a person who could hardly get himself easily understood by others in this nation.
After Jissoji graduated from Department of French, Faculty of Literature, Waseda University in Tokyo in 1959, it is explained that, surprisingly enough, he worked for Japan’s Ministry of Foreign Affairs for a short while as he had passed the public servant exam.
After resigning from the Foreign Ministry, he joined TBS that seems to have been called “Rajio Tokyo (Radio Tokyo)” back then to become a TV show director.
Having written all this so far, I find his actions seem, by the common standards, truly unpredictable and abrupt about why and how he transferred to the TV station from the Foreign Ministry as it may indicate a part of his “continental view.”
I personally like Jissoji’s way of thinking and acting that could show sort of his easy-going nature that makes me feel like I can share a lot of it with him in a way while I am not sure whether his actions came from an easy-goingness or not.