Tohl Narita: “This is the underground kaiju based on the caterpillar I got the idea from.”
Featuring Goldon, this was another impressive episode with two of the same kaiju appeared even using one single costume with the other one set to appear after the previous one died.
And I feel like the appearance of Senkichi Omura who eccentrically played the miner Yamamoto obsessed with gold made this episode even more unforgettable along with the Ultraman’s Type B costume badly showing the deterioration including Dada’s episode.
The Goldon costume was sculpted by Ex Production instead of Ryosaku Takayama while the production company had made the costumes of Peter for “Ultra Q,” Hydra and Guigass (remodeled from Hydra) for “Ultraman” and Woo was added to these three with the episode to come right after Goldon.
Tetsuo Yamamura says the Goldon costume had no opening with the zipper on its back through which the actor could get inside but that it was the costume that could be separated into the upper and lower parts while they met where one of the dents lied between the segments of the body with the ingenuity uniquely featured for this particular kaiju costume.
Keizo Murase who worked on the Goldon costume at Ex Production back then before he founded his own company “Twenty” later states that Goldon was painted with gold powder (I think he means gold-colored powder) mixed with lacquer paint.
According to him, they made its back rough by spreading latex mixed with sawdust over it while he adds, because it will become sticky unless the part coated with latex containing sawdust get immediately dried, they had a housewife, who worked part time for them, make it dry with the heat of reflector lamps.
Murase says they regularly had a housewife named Kato-san (Ms. Kato) come to help them as a skilled, seasoned part-time assistant for their job while she had also been involved in the sculpting work at Toho as a part-timer.